Building the puppets part 2--some bears

Well, it's time to move on to the bears:
The bears we built with a lot of trial and error, mainly going from one prototype to another until we had the right proportions and feel.
 We had one requisite: the bears would be the leaders of the plot, and have to hold (even without facial expressions) the feeling and the sympathy of the viewer.
We based the design on a few toy bears we found, having strange discussions on "what makes a bear cute" and what are the right proportions for the bears to look almost human. So the first mock-up looked like this:

This green bear was made with mop cloth, and didn't respond well to dies. we then tried it with a special type of Egyptian cotton, and even tried one as an anamorphic person thing, but realized that these characters can be only bears.

strange dough puppet. too creepy even for this clip

 After reaching the right proportion and look, Yoni went on to build the armatures. He built three different types, one very simple, with aluminum wire for the bears that do not need to run and hide, and actually have only to die.... Another one, with legs good enough to run but with simple arms and head and the last type was a full jointed armature, for the main characters: diamond-eyes, the green that actually thinks he has a chance and the bear that gets his hand shot off: those got the fancy armatures. here are some examples:

The furs are tinted with acryls and cloth paint. i did some tests to get the right tones, and we actually did two bodies and two heads for each, so we can replace them if tragedy happens.

The insides of the bears are of simple foam, and the extremities are filled with acrylan. the eyes are stone beads, that are more light reflective....
The bears heads are made of  hardened soft clay, and Yoni modeled them one by one to create slight differences and features. Here is what we came out with in the end....

In order of getting them to stand, move and be completely still while animating,the feet are equipped with threaded holes, and the bears are secured to the set with tie-downs--literally bolted to the floor.

That enabled us to pose the bears in extreme positions, as well as control their movement entirely:

And this is how they all ended up:

May they all rest in peace....

In the next post i will talk about a little about the set building, and some of the mechanisms that the devil played with.

Building the puppets part 1 - The prince of darkness, Beelzeboob, cutiepie- however you want to call him

Now , for the ever-elusive puppet building.
And first, the devil:

From the last post you can see that we wanted the devil to be a Tony-Montana-meets-stock- broker-dandy-meets-goat:

  

Yoni Bereskin, our art director and lead animator, had a distinctive look in mind:
The idea  was to give a different take in the devil's resemblance, using ready made materials that would give him an unique look. The devil's head was taken from a piece of wood found in the forest. He bleached it with chlorine for impact. and to add a touch of "good ole holy-landness" we decided the horns will be inspired from the Nubian Ibex, an animal very common to the desert here.

For even more impact, and having in mind that the devil won't have any expression features we figured it will be a good idea to light up the devils eyes: that was made with an LED simple setup, lighting up some transparent tiger "eye beads" Yoni found.

Now for the armature: Yoni built a stainless steel armature from parts we had custom-made. The armature enable us to move the devil slightly between every frame, creating motion. the armature is hand regulated with nuts and bolts.

As you can see, Yoni added some hair in the devil's back and neck to hide the junctions. The next step is to bulk the devil up using Acrylan (the stuff puffs are made of). His suit was tailor-made  by a pro, the size exactly down-scaled from a real suit. We went with a black pin-striped suit, very fashionable right now.... The real challenge was to find buttons and fabrics in the right proportion, not to give away the illusion of the actual size of the puppet.

The hands are made from silicone, casted over a fine, pliable wire to maximize mobility. this was really tough. The devil does all kinds of intricate things with his hands, including tossing coins, reloading guns and smoking cigars. The hands were designed to give the devil some expression and feeling instead of facial expressions, that like i wrote before, are not his "thing".

Weapons: Here, the work was mainly to find a toy in the same scale of the puppet. we actually found one that had the option of changing mags, offering great possibilities for animation.

And for last, the shoes: again, the trick was to find a right size toy to use as a base, and tinker with with so it will be suitable to animation. Every step the puppet takes a hole is drilled in the set to secure it standing.

Well, it added up to this pretty fellow

All that is left now is to build some bears for him to kill \M/ \M/
But that's for the next post: I will be covering the "birth of a teddybear".